Hi everyone: Saxon Henry here, sharing with you a fascination I have with treasures from the sea, a particular poet who thrived at the hem of the Pacific Ocean and new Currey & Company offerings that include shells and tumbled glass in ways I simply adore. I hope you enjoy today’s jaunt to the seaside! Off we go…
The undulant sweep of a rocky coastline dotted with pale crescents of sand is a known enchantment even if the captivated aren’t accustomed to waxing poetic.
When the enamored are, lyrical evidence abounds. Case in point is Robinson Jeffers, a poet who embraced such a landscape as passionately as any writer could.
It all began with a piece of land that Robin, as his friends and family called him, and his wife Una bought, which rippled along the hem of the Pacific Ocean near Carmel, California.
He was so smitten with the granite rocks cascading down to the Pacific, rough due to a constant sea-washed rhythm, that he asked a local mason to let him apprentice so he could learn the art of stonemasonry.
Once he felt confident enough, he began building a stone cottage for his family, which they dubbed Tor House.
The waves served as his muse as he wrote poetry and paid homage to the area’s soaring hawks by erecting a higher stone building called Hawk Tower, his words and his masonry so beautifully honoring the seaside milieu he lived within:
In Divinely Superfluous Beauty, he wrote:
The storm-dances of gulls, the barking game
Over and under the ocean…
Divinely superfluous beauty
Rules the games, presides over destinies,
makes trees grow
And hills tower, waves fall.
The incredible beauty of joy […]
In Continent’s End, one of his most notable poems, he wrote:
At the equinox when the earth was veiled in a late rain,
wreathed with wet poppies, waiting spring,
The ocean swelled for a far storm and beat its boundary,
the ground-swell shook the beds of granite […]
Farther into the heart of the poem, he crafted one of my favorite lines: “The tides are in our veins.” This is what rushed into my mind when I saw images of the exquisite new introductions in the Currey & Company summer releases that reflect the splendor of the sea’s greatest gifts, each ocean-inspired creation bringing me a great nostalgia for that legendary stretch of coastline I had visited as an impressionable young writer. I spent hours beachcombing there, adding to my selection of beach glass and shells from every sandy stretch of the earth I’ve ever visited.
Curious about how pieces with such demanding detailing as the Devereux Console and Mirror (shown above; from a previous collection) are crafted, I asked Bethanne Matari to share when shells and tumbled glass first came into the Currey & Company product-line. She explained seashells and other natural elements have been offered since 1998.
The shell-encrusted Grotto Chandelier (below) was among their first introductions, remaining in the company’s offerings for over 12 years. It was featured in all the major design magazines at the height of its popularity, the nautical detailing a natural for the manufacturer because its founder Robert Currey has always loved shells.
Cecil Adams, the company’s creative director, explains how shell- and glass-ornamented furnishings are created, and shares the inspiration behind their designs.
“All of our shell items are completely done by hand so each and every tiny shell is placed one by one—for larger items, there could be as many as four people working on the same piece at once.” he says.
“Our design team in the Philippines will take an idea and actually create it on site in our factory using all the available shells. As they come up with a pattern for a particular piece of furniture, they record the process and keep an original sample there so it can be reproduced accurately.
“The tones of shell surfaces work with almost any color combination and tend to reflect the aura of the hues around them,” he continues, “making them a very versatile natural material. Elements of nature work in any style of interior, and shells complement everything from contemporary to traditional.”
This is equally true for the tumbled glass offerings Currey & Company creates.
These elegant furnishings call to mind the treasured beach glass that glints from the water’s edge as the waves ebb, later drying to a velvety matte silkiness after being removed from the wetness of the sea.
The Shoreline pendant is a new beach glass-inspired offering, the wrought iron and glass fixture shown above with a Harlow silver-leaf finish.
The Bayou chandelier, also a wrought iron and glass fixture—shown with a contemporary gold leaf finish—is another.
But one of my favorite fixtures incorporating glass is their Medusa, below. With its fluid and delicate profile, the fixture imitates one of the ocean’s most graceful creatures, the jellyfish.
“Shells, tumbled glass and mother of pearl bring a divine natural glow to interiors whether their presence is in the form of a collection displayed in a cabinet of curiosities, or a fabulous shell encrusted console table, chest, or over-the-top wall accent,” Cecil remarks.
“In shells themselves, there is a world of inspiration—who doesn’t like idea of strolling along the beach and discovering that one beautiful piece that will be a marker for remembering that moment in time?”
I have always been impressed with how inventively the manufacturer makes oyster shells shine in their new introductions ornamented with them.
Bethanne relates them to her childhood:
“These shells played a big part in my southern heritage. Growing up in eastern North Carolina, oyster shells were used like gravel in driveways and on garden paths. I also remember many concrete walls made with imbedded oyster shells down on the coast so I always think of them as a very southern thing.”
Oyster shells are as plentiful in the Philippines as they are in the southern state she grew up in, and used there for driveways and pathways as well.
Cecil describes how the idea to include them in their furnishings came to be:
“At some point we decided to begin creating mirror frames, lamps and chandeliers with them. Because we were already using other shells, it was just a natural progression. Once the idea really took off with customers, we continued designing more items with them.”
The new introductions made with these mollusk shells this season are the Stillwater pendant and the Oyster Bay table lamp. One look at them and it’s clear why Cecil can declare, “We’re quite successful with just about anything we put an oyster shell on! We use the outside of the shell for a more primitive feel and the inside for more sophisticated applications.”
Also included in the Currey & Company shell offerings this season is a new Sailors’ Valentine, one of the intricate pieces of wall art inspired by historical designs that were created by seafaring souls as symbols of love.
The creative team will often turn to books in the company’s library to create products inspired by the past, one of them a visual survey of how the designs of Sailors’ Valentines have progressed over time.
Learning about Robert Currey’s desire to bring the ocean’s beauty into his product offerings, such as the Marchmont sideboard above, and the fact the creative team has continued to practice such an artful level of nautical winsomeness over the past nearly two decades since then brings me back around to the memories of my meaningful trip to Carmel when reverence for a poet swirled in me as I crunched along the pebble-strewn sand.
It was as if Jeffers’ cadence permeated the air with a similar ebbing and flowing as the water rolling ashore. I closed my eyes and tried to internalize the incantation of the waves, recognizing how archetypal his love for the coast was when I caught a glimpse of the stone buildings he’d built with his own hands, the compound now a beautifully maintained legacy thanks to the Tor House Foundation. The property was added to the National Register of Historic Places in 1976.
You’ll have the advantage of enjoying your own hit of elemental pleasure if you are fortunate enough to be in either Dallas or Atlanta for summer market, as the new Currey & Company shell and tumbled-glass introductions, such as the Cloister table lamp above, will be shown in both cities. Make your way to the Dallas showroom on the 10th floor of the World Trade Center in suite 10000 between June 24th and 30th if you are in town. The Atlanta showroom is on the 14th floor of the AmericasMart Building 1 in suite 14F10. The offerings will be on view there between July 7th and 14th.
*The Aura of the Sea is © Saxon Henry and Currey & Company, all rights reserved. It is a sponsored post but this fact in no way swayed the opinions contained within it because Saxon Henry would not have chosen to write about these products had their aesthetic attributes not resonated with me. The image of Tor House courtesy of The Craftsman Bungalow, the photo of Jeffers via Wikimedia, and the image of the postage stamp courtesy the United States Postal Service.